Tuesday, April 30, 2019

cosas pequeñitas (y largas)


i.

who has a right to speak on these things

she says it doesn’t matter but it seems like it does, marina says

days later you do this, you think

little things that are fine but leave you thinking

about the darkness of your skin 

for days


ii.

for you have met the boundary

of shared experience

like a golden worm 

it vibrates in the puddle in front of you

as you walk through warm water

you know if you touched skin

it would be glass, maybe porcelain


iii.

in bed you think of how

you say 

my father is from the island

why do you not say I am from the island?


vi.

kiley said

one days these things will come for you

red shoes on a green floor

this is about much more

than a name


v.

your name you can hold

it can hold you

at times you embrace awkwardly

but still

there is warmth

you are strangers

who together are not strangers at all


vi.

it is like an avocado

sliced open

each half heavy in a palm

the pit in the middle must be in one side

or you must get rid of it

once open

how can it be in both sides at once? 

and be whole


vii.

it is like an avocado

so sweet

and 

so slimy

you can not hold an avocado for long

soon enough you must eat it

or put it

down


viii.

and you want to put it down

the exhaustion, the pride

of being the core

something you have always been proud of

something you are almost always

thinking about, something that makes

you narcissus

staring at this puddle in between you

with its golden worm


ix.

can you put the golden worm down?

most times you do not want to touch it

if you cut it in half

would it multiply?

it does not seem like your own battle

you are too preoccupied with your own shadows

x.

who has the right to speak on this?

most days (all days)

you don’t know

cosas pequeñitas


who has a right to speak on these things

she says it doesn’t matter but it seems like it does, marina says

days later you do this, you think

little things that are fine but leave you

thinking about the darkness of your skin 

for days

Saturday, April 27, 2019

[martires with marina 2]

i.

it was the green sea
thick
that held them
lots of little fingers
swaying branches
a tender touch
the storm was a plum
how could I have forgotten how much I love you?
the sky tells me to remember.

it's time to go
seashell hair
tortoise freckles
in the shallows
it's really hard to let go
the storm is a plum
laughter in a language I don't understand
a river
not as tired as it used to be
it was the green sea that held them
fingers but no palms
the perfect chesnut
sweet but a little like a tin can
that clatters down the road
a celebration and a
kite, it's getting late she says
i don't have any more words
tonight there are no stars
there are ten thousand tin cans
in the sea
a conversation six days late
like a shadow
over two cups of tea
i am tired
but not hungry
when
five minutes rest
and the crunch of a boot
sickens
there is a puddle
a burnt scalp
a poppy
one euro to see a home inside a cave
it is blue
higher than the others
he kisses the trunk
involuntary smile
I could not capture
obedience humility trust
it is dusk in the city
but noon in this garden
will you hold me as I have been held?
arms attached to fingers
fingers like branches
thick relief
the gate is not closed
there is still a place to sit
chipped green paint
communion dresses
splay in the water
cat cries
slow and soft
but hard to hear---
i'd like to hold you back
no waves bursting
just chests
here, my hands clenched
for you, an offering
honest but not clear
it was a mirror
a mosaic
of simple things

ii.

thank you
i'm sorry
just a little
dizzy in the salt
slippery seaweed
too many tongues
in a bathtub
and the clothes all over the floor
a faulty drain
gives not takes away
i hope that i can learn
how to swim.

[martires with marina 1]

she picks the rosemary
more than is rightfully hers
it is the golden hour
too soft to burn
let's hope the mountains white
are willing to share
the day is a question:
how?